Yoon Do-Hyeon (also spelled Yoon Do-Hyun) [윤도현]
Years of Activity: 1994-present
Discography:
Regular Albums (as leader of the Yoon Do-Hyeon Band)
In Front of the Autumn Post Office [가을 우체국 앞에서] (1994)
Yoon Do-Hyeon 2 [윤도현 2] (1997)
Marginalization [소외] (1998)
Re-Singing Korean Rock [한국 Rock 다시 부르기] (1999)
An Urbanite (2001)
YB Stream 6 (2003)
Why Be? (2006)
Coexistence (2009)
Special Albums and Notable Singles
Official Album of Red Devils Cheering Songs 2002 [붉은 악마 공식 응원가 앨범 2002] (2002) (contributed Arirang)
Standing on the Road - Yoon Do-Hyeon Band Photo Essay [길위에 서다 - 윤도현밴드 포토 에세이] (2005)
2006 YB World Cup Cheering Songs [2006 YB 월드컵 응원가] (2006)
Korean Peninsula Original Soundtrack [한반도 OST] (2006)
Representative Song: Someday [먼훗날], from Marginalization
Years of Activity: 1994-present
Discography:
Regular Albums (as leader of the Yoon Do-Hyeon Band)
In Front of the Autumn Post Office [가을 우체국 앞에서] (1994)
Yoon Do-Hyeon 2 [윤도현 2] (1997)
Marginalization [소외] (1998)
Re-Singing Korean Rock [한국 Rock 다시 부르기] (1999)
An Urbanite (2001)
YB Stream 6 (2003)
Why Be? (2006)
Coexistence (2009)
Special Albums and Notable Singles
Official Album of Red Devils Cheering Songs 2002 [붉은 악마 공식 응원가 앨범 2002] (2002) (contributed Arirang)
Standing on the Road - Yoon Do-Hyeon Band Photo Essay [길위에 서다 - 윤도현밴드 포토 에세이] (2005)
2006 YB World Cup Cheering Songs [2006 YB 월드컵 응원가] (2006)
Korean Peninsula Original Soundtrack [한반도 OST] (2006)
Representative Song: Someday [먼훗날], from Marginalization
먼훗날
Someday
널 이젠 잊겠어
I will now forget you
내 깊은 그리움으로 이밤을 지새운건 아니었는데
I did not spend this night longing deeply for you
이제는 닦아 낼 눈물이 없어
But I have no more tear to wipe
But I have no more tear to wipe
하고픈 말 서럽게 쌓여만 가고
The words I want to say only piles on sadly
The words I want to say only piles on sadly
기억되는 그리움의 아픔이 너무 두려워
So afraid of the remembered pain of longing
So afraid of the remembered pain of longing
홀로 남겨진 이 순간 원할건 없지만
This moment, left alone, although I have nothing more to want
This moment, left alone, although I have nothing more to want
정말 널 사랑해
I really love you,
I really love you,
차마 그말 한마디 못한 내가 너무나도 원망스러워
I blame myself for not being able to say just that one word
I blame myself for not being able to say just that one word
먼훗날 다시 널 우연히 마주칠수 있다면
Someday if by chance I may see you again
Someday if by chance I may see you again
사랑했다 말할거야
I will tell you, I loved you.
I will tell you, I loved you.
Why is that this creator important?
Among the
followers of Korea's rock scene, this placement may feel high -- as a result of simply in terms of musical
quality, one will create a
robust case that Yoon Do-Hyeon isn't significantly special. however it's Yoon's amount of activity that creates him significantly authoritative. In
terms of relative influence, the nadir of Korean rock was lateNineteen Nineties through early 2000s. The airwaves were completely dominated by
boy/girl bands, and it appeared that rock was being driven to the brink of
extinction. Yoon Do-Hyeon Band was one among the few bands
that stuck it out throughout those dark
times, trudging on whereas churning out quality
albums.
Rock created associate sudden comeback in
2002, and Yoon was at the guts of revival.
Yoon's band was one among the bands that
wrote a number of the foremost common songs for Korean national association football team enjoyingwithin the 2002 FIFA tourney. it's not associate exaggeration that Yoon
Do-Hyeon Band, along side one different rock
group (to be introduced during this ranking later) junction rectifier the
renaissance of Korean rock that's reverberatingto the present day.
This is
already a considerable action, however Yoon's
influence on K-pop scene was arguably larger in his differentactivity
-- enjoying host of the television show, Yoon
Do-Hyeon's personal letter, from 2002 to 2008. personal letterwas a music-focused late night show, during which singers
interspersed serious however entertaining dialogue with the host with real, live
performances. The show's impact on the K-pop
scene mustn't be
underestimated. once differentmusic-related
TV shows were slowly turning into varied levels of
insults to intelligence, personal letter was rigorousconcerning the selection of real, proficient artists to
feature, and strict concerning the necessity to perform
live. a lot ofof that rigor was driven by Yoon's personal force, as associate intelligent creator who invariably cared concerning the standard of pop in Korea. Yoon's energetic
and humourous temperament was an imperative ingredient
that allowed the show to travel on sturdy for seven years, acting as
a take a look at|acid-base indicator} test that showed who was real, and who was made.
Interesting
trivia: though ne'er confirmed, it absolutely was wide suspected that Yoon quit personal letter as a result ofthe pressure applied by Korea's current conservative
administration, as Yoon was a lively voice of
Korea's liberals
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